The invaluable genius is capable to innovate a world, and to capture as well as to portray a passage of the lost time.
To some degrees, Inside Llewyn Davis shall be highly recommendable to people like me, who has been scared by those "successful stories." We need a loser like Llewyn Davis to highlight the ways in which a jerk lives as nothing but a little more than just exist.
PS. 寧浩的心花怒放的敘事結構( 令人驚豔 ) 我相信在某種程度上受到醉鄉民謠的啟發,或許可以研究下他和科恩兄弟的作品之間的關聯性。
PS.PS. 有一部片子在人物和內涵層次上也有點這個意思啊,可不就是後會無期和馬浩漢和馬達加斯加嗎?…結尾那段矯情臺詞肯定不能算( 基本上,我的看法是,這部片最大敗筆反而就是作者引以為豪的筆鋒下,過度博取存在感的金句 ),馬浩漢的喜感和絕望以一種中國式的風格呈現,不過光比貓和狗的命运就知道Cohen Brothers 還是殘忍冷冽了太多( 韓寒畢竟主業賣雞湯,是吧 ),在幽默感的把握上也更更更精准。
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